One of the most prevalent pieces of advice offered to landscape photographers is also one of the most limiting: “Shoot during the golden hour.” And, if you observe a mass of photographers at some popular locations, the advice actually seems to be put in practice as “Shoot during the golden fifteen minutes and only if there are colorful clouds filling the sky.” For photographers living by this golden hour mantra, you may be missing a lot of what nature has to offer.
While I thoroughly enjoy photographing grand landscapes under beautiful light, I have come to enjoy photographing small scenes – abstracts, intimate landscapes, and macro photographs – even more. Years ago, one of the main reasons that I took up landscape photography was because it offered one of the only times I could quiet my mind. At the time, I was in graduate school and working a stressful, full-time job. I was almost always working through a long to-do list or thinking about working through a long to-do list. During the brief periods of time I could get out for photography, the act of focusing enough to create a photograph was an escape from that stressful and busy life I had created for myself. Photographing smaller scenes in nature – like finding a beautiful patch of corn lilies or exploring a set of sand dunes to photograph the light and shadows at the end of the day – was so rejuvenating.
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As Ron and I started writing our first e-book on photographing Iceland, we decided to include a section on photography etiquette since we had encountered a string of distressing behavior from other photographers during some recent trips. These incidents started becoming so common that Ron gave them the nickname of Crimes Against Photography, some of which are included below. While the vast majority of my experiences with other landscape photographers have been positive, these other less-than-positive incidents have become frequent enough to suggest that the landscape photography community could benefit from practicing some common etiquette principles.
Considering that landscape photographers should be ambassadors for and respectful of the wild and natural places we visit and photograph, it is surprising to find that an important topic like this receives almost no attention from the typical sources of photography information. This also helps explain why the behavior we have observed occurs so frequently. With some landscape photography locations only becoming more crowded and more people taking up this pursuit, this topic is only becoming more important.
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Over the past few years, I have been working on tweaking my cold weather gear so I could more comfortably photograph during the winter and in cold temperatures. After a trip to a very frigid Yellowstone National Park this winter, I think I have finally found a winning combination. No more ice-cold hands, nearly frozen toes, and general cold-weather misery for me!
With so many options for winter gear, I thought it might be helpful to put all of my lessons learned and advice in one spot to help others who want to photograph in winter but are not sure where to start in terms of choosing gear. In this post, I will share some thoughts on using camera gear in cold weather, choosing the right clothing, and some basic tips on being prepared for wintery conditions.
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I enjoy reading photography blogs, with many serving as excellent sources of inspiration and thought-provoking ideas that I use to help shape and inform my own work. The following three articles have stood out over the last few weeks in their discussion of important topics for landscape photographers. I encourage you to take a few minutes to read each one.
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We are very fortunate to have an excellent botanical garden here in Denver. With four distinct seasons, it offers great variety for photography year-round. Although you wouldn’t know it from the lack of macro photographs on my website, I really enjoy photographing nature’s small details and have been working developing a few portfolios of photographs from the garden across seasons and of the diverse displays of cultivated plants.
We headed to the garden on a very rainy day last fall and were treated to a long, enjoyable, and quite damp afternoon of photography. The rain helped saturate the colors and delicate droplets formed on many of the plants. I spent the most time that day at the lily pad pond. Even though the lily blossoms were still in bloom and looked lovely, I focused instead on the lily pad leaves. The little Pac-Man shapes provided a fun subject for photography, with the water droplets adding another element of interest to these plants. Here are a few favorites from that afternoon.
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It is past one o’clock in the morning and we are sitting at a Walgreens waiting on a prescription that an urgent care doctor was supposed to phone in for me more than an hour ago. I am still hoping to get in a few hours of sleep before heading to the airport for our flight to Reykjavík, but it never really happens. I spend the seven-hour flight playing Tetris and Solitaire on my phone, unable to sleep and feeling miserable overall. Once we arrive in Reykjavík, we pick up our campervan, stop to get a few days of groceries, and head out for the five hour drive to the Jökulsárlón glacial lagoon. We stop to take a two hour nap along the way, arriving in time for sunset. We photograph sunset, heat up a dehydrated meal for dinner, and get ready for a long night. We are now approaching a day and a half with almost no sleep and, not surprisingly, all this traveling has only made me feel even worse.
It is March and we are going to be in Iceland for three weeks. Our primary goal is to see and photograph the aurora borealis (also known as the Northern Lights). Based on advice from some friends who traveled to Norway for the aurora and only saw it once, on the last day of their trip, we decide that we cannot miss an opportunity (opportunity = clear skies+interesting landscape+good aurora forecast+right amount of moonlight). Starting a long trip sick with a growing sleep deficit is a less than brilliant plan, but at about 11:00 pm, we see a faint green glow on the horizon. This is what we had come thousands of miles to see! It all instantly feels worth it.
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A little over two years ago, a few months after my temporary (but currently active) retirement, two things happened:
- I started taking many more photos (as a direct consequence of traveling more and having more time to dedicate to photography).
- I spent more time processing each photo.
I made the deliberate philosophical change that remains active to this day: to produce less, but better, work.
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Ron and I are thrilled to announce the publication of our second e-book, Desert Paradise: The Landscape Photographer’s Guide to Death Valley National Park. Coming in at more than 130 pages with over 150 portfolio-quality photographs, we hope this guide will serve as an excellent reference for landscape photographers of all skill levels who are interested in visiting Death Valley.
I am often asked by both photographers and non-photographers about my favorite place to photograph. I cannot offer a single answer but can say that Death Valley National Park and Colorado’s San Juan Mountains get to share that top spot on my list. The San Juan Mountains are understandable to most people, but Death Valley? Really?! Yes, really!
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It was a bad year. A historically bad year.
After arriving in the San Juan Mountains in southwest Colorado to photograph fall colors for 10 days, we agreed with the general consensus of other photographers.
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It turns out that January 23, 2012 was a good day to be at Ibex Dunes.
My plans were to photograph that sunset at Badwater, it had been raining off and on all day and I was hoping that there might be some water accumulation on the saltpan. As I drove by, I didn't see any pockets of water glistening from a distance, but I did see a bunch of people and photographers. I had already photographed Badwater on this particular trip, with decent conditions, and didn't want to have to compete with other tripods. So I made an impulse decision to try my luck at Ibex Dunes.
This was a gamble - I had never been to Ibex before and I had no idea what the road conditions were like, nor, perhaps more importantly, what the dunes themselves were like, and I wasn't going to have any time to scout. The weather was overcast with intermittent rain and it didn't look like the sun was going to pop out to light the dunes or clouds. I planned on camping overnight, so even if the conditions were not great at sunset I could do a little scouting prior to sunrise.
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