If you spend much time looking at nature photography on social media, you have probably seen a common type of post: a photographer, lamenting the poor conditions at the time, explains how they tried to salvage a photo by converting it to black and white. Before you read any further, I’m asking you to forever dismiss this kind of thinking about working in black and white. Instead of seeing black and white as a backup processing option when the conditions you hoped for do not materialize, I encourage you to instead think about black and white nature photography as an expressive form that stands on its own and holds the potential to open up many new creative avenues for sharing the connections you make with the natural world. A key step in shifting this mindset is learning to see opportunities for black and white photography while you are out in nature.
Read MoreNew Black and White Plant Photos
I am continuing to work through my archive of unprocessed files and processed-but-never-finished-and-shared files. At each turn, it feels like the scope of the project grows, mostly because integrating new photos into existing portfolios means that I also need to spend time updating and revising formerly finished files since my tastes have changed significantly over the last few years. I am making slow progress in the right direction so I hope to have a lot of new photos to share as I plod along through my Lightroom catalog.
One of my recent projects focused on finishing some new black and white photos of plants. I added about twenty new photos to our website and then split up a single gallery into three galleries for more cohesive organization.
Read MoreSarah's Recent Black & White Photographs
I planned for this article to be a collection of my favorite black and white photos from 2020 but a few things intervened with that plan. Although I like all of the photos here and think they are worthy of including in my black and white photo collections, only a few feel like they will qualify as “favorites” as time goes on. I also found time to process some photos from previous years as well, broadening the collection a bit. So, below, you will find some recently taken and recently processed black and white photos, with a few stories about our travels during 2020. I hope you enjoy the photos and the stories - and I hope that 2021 is off to a good start for you, despite the complex circumstances of these times.
Read MoreFree Recorded Webinars for Nature Photographers from Nature Photo Guides
Over the last few months, I have recorded six free webinars for nature photographers in partnership with photography friends (David Kingham, Jennifer Renwick, John Barlcay, Cole Thompson, Alister Benn, Alex Noriega, and TJ Thorne). This post collects all of these recordings in a single place for easy access and viewing. You can access the recordings through the links to our YouTube channel or find the embedded videos below.
Offering these webinars has been a highlight during a difficult time and it was so nice to connect with photographers across the globe through these sessions. After taking a break from offering webinars to finish my 11 Composition Lessons ebook, I will be starting these sessions up again soon in some to-be-determined format. If you have a topic in mind that you would like to see covered in a future webinar, please let me know.
Read MoreSarah's 2019 Year in Review and a New Direction for 2020 - Black & White Photos
After the narrative below, you will find twenty more of my favorite black and white nature photos that I took or processed during 2019 (if you have a few favorites, I would love to hear which ones you like most in the comments). I am still working on my favorite color photographs from last year and hope to share those in a few weeks, so stay tuned. Being outside is my favorite part of nature photography and is where I devote most of my efforts, so I have always struggled with promptly/ever processing the photos I have taken. Thus, the fact that I am almost through ALL of my 2019 photos feels like a photographic miracle. In addition to my favorites, I will be sharing all of these new photos over the next few weeks and months. In the meantime, here is a quick recap of my 2019.
A New Direction for 2020
Sometime in 2010 or 2011, I remember hearing a line from an Avett Brothers song, “Decide what to be and go be it” and it has eaten away at me ever since. Since around that same time, I have been splitting my focus between a career in the nonprofit/philanthropic sector and an avocation/obsession/almost career in nature photography. This split has worked well in a lot of ways and has been hard in others. After physically moving away from the base of my nonprofit consulting practice in Denver a few years ago, this division of effort, time, and mental energy has made less sense with each intervening month. Not wanting to say goodbye to one particularly meaningful, years-long project served as my constant excuse to keep both lines of work going.
And then came what would be my final consulting project… Years ago, I started my consulting business because I wanted to remain in mission-driven work but never wanted to report to a nonprofit board of directors again. I enjoyed almost a decade of being able to choose projects that allowed me to avoid having to do so while still working on a range of interesting things. This summer, I said yes to a big project because of the money and it became that proverbial last straw – yet another supremely dysfunctional board of directors, a reminder of how I did not want to spend my time, and the final realization that I am just mailing it in for one career and not devoting enough time to the other.
And with that, I finally decided what to be and I am going to be it. In 2020, being a nature photographer, teacher, writer, and guide will be my sole professional focus for the first time in ten years. I am taking this leap with some trepidation that is balanced with a lot of enthusiasm and hope. It is far easier to earn a living through nonprofit consulting than it is through photography. My personality is a better fit for the inherently collaborative nonprofit sector than it is for the comparatively competitive field of landscape photography. I think I have more natural talent for consulting, coaching, and leadership than I do with nature photography, and I certainly have more confidence when it comes to the former than the latter.
But! I love photography, being in wild places, and building my knowledge as a naturalist more than I have enjoyed any other pursuit that I have tried. Our photography business has been successful without it ever being my primary focus so it seems like the right time to try to overcome the challenges I described above and see if I can make it work. And, to keep a bit of the mission-driven nonprofit spirit alive in my nature photography work, I plan to find ways to contribute to the social good through more active involvement in efforts like Nature First and other conservation activities.
2019 In Brief
Aside from this biggest of decisions, 2019 was a roller coaster of a year – full of sadness and anxiety about a family member’s serious health problems; full of joy at being able to be outside most days of the year; gratefulness for being able to live in a place I love and find endlessly inspiring; happiness with being able to spend a lot of time with Ron and friends in wild places; appreciation for the technology and modern work arrangements that allow us to travel and work remotely from our Airstream trailer for a good portion of the year; and challenging because of an injury that kept me from hiking as much as I would have liked and required a few months of physical therapy (thus, ending the year hiking 11,043’ Telescope Peak in Death Valley with no pain felt like a big accomplishment).
Priorities for 2020
For 2020, I hope to fully get through my backlog of unprocessed photos, share those photos more consistently, and be more disciplined and prolific with writing. During our last trip to Death Valley, I repeatedly remarked how my photographic calling card is “find pattern, compose photo, focus stack, repeat.” While I find great joy in finding and photographing these mundane subjects and then presenting them in a way that I find beautiful, I feel like that focus has come at the cost of other approaches to photography. So, I also want to try some new things, especially with composition, in this upcoming year to bring some diversity back to my work.
Thank you and Best Wishes for 2020
Thank you for your ongoing interest in and support of our photographic endeavors. I wish you all a healthy, happy 2020 - hopefully with some time spent outside enjoying wild places.
Note about the photos: You can also see these photos collected into a gallery for easier viewing.
New Articles on Black & White Nature Photography, Including Before/After Examples
I recently shared a two-part article on creating bold black and white nature photos with Shuttermonkeys, a new photography education website created by Ian Plant and Zac Mills. You can find an excerpt and link to each part below, with the second article going through my processing steps for the two photos in this post (as a sample of what I cover in the articles, see the before and after GIFs at the end of this post).
Creating Bold Black & White Photographs Part I: In the Field
One of my favorite things about black and white landscape photography is the ability to push the boundaries of reality in a way that can be difficult with color photography. From my perspective, color photography is most powerful when it is grounded in what the photographer actually saw and experienced when creating a photograph. Since viewers know that a black and white scene is by its very nature a departure from reality, the medium offers more latitude for interpreting a scene - a creative freedom that I find exhilarating. With black and white photography, the photographer can emphasize or aggressively introduce drama, boldness, and contrast while still achieving an aesthetically pleasing result – things that are much harder to do when working in color.
In this article, I share four lessons for creating bold and dramatic black and white landscape photographs, focusing on steps that you can take while working in the field. In the second part of this article (below), I will share my basic approach to processing black and white photos along with some lessons on how to emphasize boldness and drama in the digital darkroom. Click here to continue reading Part I >>
Creating Bold Black & White Photographs Part II: Photo Processing
As I discussed in my first article in this series, Creating Bold Black and White Landscape Photographs, one of my favorite aspects of black and white photography is the opportunity to depart from reality, especially in terms of emphasizing boldness, drama, and contrast. For my digital black and white photography, photo processing plays a large role in realizing my vision for each scene. In this article, I will share my general approach to processing digital photos in black and white, go over my favorite processing tools, and share two start-to-finish examples.
While my color photography stays fairly close to the scene as I experienced it, the final result for my black and white photographs often represents a significant departure from the initial RAW file as you will see in the examples below. I do not intend for my black and white photos to be a representation of a reality that you might experience but instead want them to be a dramatic, bold interpretation of nature. Click here to continue reading Part II >>
Before and after examples featured in Part II:
New Ebook + Video Course: Black & White Nature Photography
I hope you have enjoyed all of my recent posts about black and white photography. These posts have been the ramp-up to launching our newest educational product for nature and landscape photographers. Thus, we are excited to announce our new ebook + video course, Black & White Photography: A Complete Guide for Nature Photographers.
This course is designed to help you create compelling, personally expressive black and white photographs. It is highly practical, teaching you tools that can be immediately integrated into your field practices and processing workflow. The course includes the following modules:
183-page PDF ebook - $15.95. Topics include creativity, field practices, and the digital darkroom. Includes more than 80 photos and many more illustrations. Two practice files are included.
Adobe Lightroom video course - $39.95, which includes 5 videos (2 hours) on how to use Lightroom to process black and white photos, including essential concepts, workflow recommendations, an overview of Lightroom's key tools, and a full start-to-finish example. Two practice files are included.
Adobe Photoshop video course - $39.95, which includes 5 videos (2.5 hours) on how to use Photoshop to process black and white photos, including essential concepts, workflow recommendations, an overview of Photoshop's key tools, and a full start-to-finish example. Five practice files are included.
Silver Efex Pro mini-course - $7.95, which includes one video (36 minutes) on how to use this software to process black and white photos, including a review of the presets panel, an overview of key tools, and a full start-to-finish example.
With the coupon code BW20, you can purchase the full course for $79 (almost 40% off the full price) or the individual modules at a 20% discount (prices above include the discount). This introductory pricing ends on March 31, so don't wait to make your purchase.
Customer Feedback for Black & White Photography: A Complete Guide for Nature Photographers
Note: You must enter the coupon code BW20 to get the savings reflected in the prices above!
Thank you for your continued support of our photography. We are very grateful for all of our readers and customers. :)
10 Tips for Creating Better Black & White Nature Photographs
After sharing selected photos from my black and white portfolios in my last three blog posts (landscapes, nature's small scenes, and plants), I am going to turn to discussing tips for how nature photographers can create more compelling, interesting, and dynamic black and white photographs. While it is hard to distill years of reading, trial and error, and experimentation into a few bullet points, I consider the following ten items to be the most important things I have learned along the way in creating my photographs.
As I mentioned in my first post in this series, I generally feel more restrained when presenting a photograph in color. While I do not hold others to the same principles, I personally think that my color photographs need to be mostly grounded in the reality of the moment I experienced in the field. While working within this constraint is my choice, it does highly influence my work in a way that applies boundaries. With my color work, I often seek to portray simplicity, quietness, elegance, and contemplation. Many of my color photos are light and bright, or soft and quiet. With my black and white work, I often choose to portray drama, grandeur, and darkness in a way that just does not work for me when working in color.
With black and white photography, the constraints of conveying “reality” do not come into play since there is no reality conveyed in shades of gray. Thus, I can take an image file and create something that reflects my interests, visual preferences, and emotions about a scene or place in a much different way than I can with a color photograph. By shedding the expectations that come along with color photography, I have the opportunity to share my photographic concepts with greater latitude. For me, black and white photography feels like a more expansive pursuit than color photography because of the opportunities and creative freedoms I discuss below.
Read MoreBlack & White Nature Photography Portfolio #3: Plants
This is my third black and white nature photo portfolio that I will be sharing here on our blog. You can find the other three posts in this series here: 1) grand landscapes and 2) smaller scenes in nature (smaller slices of grand landscapes, intimate landscapes, and abstract views of natural subjects), and tips for creating better black and white photographs.
This post features black and white photos of plants, from both botanical gardens and wild settings. Wandering around while studying and photographing plants makes for a perfect day since plants are one of my favorite subjects. Plants tell an important part of the story of every landscape. And, they offer an endless array of shapes, patterns, and textures - qualities that can help create interesting black and white photographs. You can view all of these photos plus others, at a much larger size, in my Black + White: Plants portfolio.
Read MoreBlack & White Nature Photography Portfolio #2: Intimate Landscapes & Abstracts
This is my second black and white photo portfolio that I will be sharing here on our blog (the other three posts in this series can be found here: grand landscapes, plants, and tips for creating better black and white photographs). This post features some of nature's smaller scenes - narrower slices of grand landscapes, intimate landscapes, and abstract renditions of natural subjects. You can view all of these photos plus others, at a much larger size, in my Black + White: Small Scenes & Abstracts gallery.
Read MoreBlack & White Nature Photography Portfolio #1: Grand Landscapes
Over the next two weeks, I will be sharing three portfolios of black and white photographs, starting here with grand landscapes (the other posts in this series: smaller scenes in nature and intimate landscapes, plants, and tips for creating better black and white photographs). This is a project I have been working on in fits and starts for a few years and although it still does not feel complete, it is time for me to get these photos off of my hard drive and into the world.
For my photography, I enjoy working in both color and black and white. Generally, I feel more restrained when presenting a photograph in color. While I do not hold others to the same principles, I personally think that my color photographs need to be mostly grounded in the reality of the moment I experienced in the field. While working within this constraint is my choice, it does highly influence my work in a way that applies boundaries. With my color work, I often seek to portray simplicity, quietness, elegance, and contemplation. Many of my color photos are light and bright, or soft and quiet. With my black and white work, I often choose to portray drama, grandeur, and darkness in a way that just does not work for me when working in color.
With black and white photography, the constraints of conveying “reality” do not come into play since there is no reality conveyed in shades of gray. Thus, I can take an image file and create something that reflects my interests, visual preferences, and emotions about a scene or place in a much different way than I can with a color photograph. By shedding the expectations that come along with color photography, I have the opportunity to share my photographic concepts with greater latitude.
Read More