When practicing nature photography in a new place, making a connection with the landscape sometimes feels effortless and instantaneous. With my first footsteps in such a place, many composition ideas spring to mind and a range of subjects are immediately compelling. Other places require more work, more time, better timing, a different mindset—and sometimes all of the above.
Read MoreDo Not Delete: 4 Reasons to Keep Nearly All of Your Photo Files
A wildflower garden full of lupine, buckwheat, sage, and snowberry. Crested Butte, Colorado.
Earlier this week, I saw a post on a nature photography forum about how a forum member had just returned from a trip and as part of his culling process was deleting everything he didn’t immediately like. My reaction was NOOOOOOOOO! DO NOT DELETE!
Unless a file has a clear technical issue (extreme under exposure or is out of focus in a bad way) or was a clear mistake (tripping the shutter while carrying my camera around and creating a series of blurry photos of my feet), I have learned to save nearly all of my photography files for future me. Below, I’ll share four examples of why I am glad to have gotten into this habit in my early days as a photographer.
Read MoreThe Death Valley Landscape and Nature Photography Guide
The Mesquite Flat Sand Dunes in the late afternoon on a clear day.
To the uninitiated, it can seem strange to have a photographic obsession with a place called Death Valley National Park. Yet, after visiting for first time, most nature and landscape photographers quickly come to understand the appeal. The scenery is diverse, vast, surreal, and dynamic, all of which are qualities that make this landscape exciting for nature photography. For us, Death Valley holds the only permanent spot among our favorite places, with the other spots rotating based on recent trips we have enjoyed. It fully deserves this honor!
While visiting remote parts of the park is exciting, the more easily accessible landscape photography locations, like Badwater Basin, the Mesquite Flat Sand Dunes, and Zabriskie Point, are all equally incredible. This makes the park a great option for both short trips and extended explorations. Another benefit: when it is cold and snowy elsewhere, the weather in Death Valley is generally mild, at least at the lower elevations. With Las Vegas only a few hours away, this park is also easy to get to for anyone in North America.
Read MoreIntegrating Gratitude Practices Into Nature Photography
Thanksgiving is my favorite holiday, partially because it involves cooking a large, complicated meal and I always enjoy cooking—and sharing—large, complicated meals. My holiday meal this year was complicated because I did all of the cooking myself, not because I selected any fancy recipes. After integrating more modern dishes over the last few years, the traditional sides—sweet potato casserole, mashed potatoes, green bean casserole, biscuits, corn, and stuffing—seemed most appealing as I prepared my grocery list so those are the dishes that ended up on my table (in addition to a less traditional apple cake for dessert).
Another thing I appreciate about Thanksgiving is seeing other people share their gratitude. Amidst so much constantly heavy, negative news, it is lovely to enjoy a day of reading posts that focus on positive things. After seeing these many posts plus some news stories about the mental health benefits of expressing gratitude, I went down a rabbit hole of reading to learn more. This short article from Arthur Brooks at The Atlantic (gift link with no paywall) is a nice summary of the research, historical underpinnings, and practical advice about “Four Ways to Be Grateful—And Happier.” The reason I appreciated this article in particular is how Brooks likens gratefulness to exercise: to the reap the benefits, you have to practice.
Read MoreBlack and White: Learning to See Opportunities While Out in Nature
Midday light can work well for black and white photography. I headed out into these sand dunes in the early afternoon and found opportunities for photography through sunset. Canon R, 24mm, f/14, 1/2500 sec, ISO 400.
If you spend much time looking at nature photography on social media, you have probably seen a common type of post: a photographer, lamenting the poor conditions at the time, explains how they tried to salvage a photo by converting it to black and white. Before you read any further, I’m asking you to forever dismiss this kind of thinking about working in black and white. Instead of seeing black and white as a backup processing option when the conditions you hoped for do not materialize, I encourage you to instead think about black and white nature photography as an expressive form that stands on its own and holds the potential to open up many new creative avenues for sharing the connections you make with the natural world. A key step in shifting this mindset is learning to see opportunities for black and white photography while you are out in nature.
Read MoreNew Ebook - Lessons from the Landscape: Yellowstone National Park
I am happy to announce my newest ebook, Lessons from the Landscape: Yellowstone National Park, which includes an almost entirely new portfolio of photographs, eleven personal essays, and six practical case studies. This is my most personal project yet, and I am excited to share it with you.
You can get the ebook for the discounted price of $19.95 through Tuesday, September 14. See below for more details.
Badlands from Above: New Photos and Thoughts on Drone Photography
A few years ago, we added a drone (a DJI Mavic Pro 2) to our photography kit and I have come to have a love/hate relationship with it. To begin with the love, it is an incredible piece of technology - a flying camera that can take sharp photos with exposure times of more than a second in calm conditions. This is worth saying again so we can spend a few seconds marveling together: a flying camera that is affordable enough to add to a nature photography kit! Wow! And it is about the size of a Nalgene water bottle when folded up. Wow again!
One of the things I enjoy most about aerial photography with a drone is how the resulting photos tell a totally different story than the one you experience when walking across the same landscape (if you can, in fact, walk across it). For example, in the photos below, you will see many tiny channels. These channels feel individually consequential when you walk up one of them but then become an extensive sea of branching watercourses when seen from the air. One individual channel becomes only a tiny part of a massive network from this alternative perspective. Every time we use a drone for aerial photography in addition to our typical land-based photography, I walk away with a much greater appreciation for the area and have more context for how different parts of a landscape fit and flow together.
Read MoreRon's Recent Work from Colorado and Utah
Sarah and I recently returned from a trip to Zion National Park. With our self-contained trailer it is remarkably easy to stay away from people, which we managed to do for the entire trip, our only visits up the main canyon were on bike. Prior to Zion we photographed fall colors here and there around our home in southwest Colorado. Here’s a selection of my photographs from that period, you can see the full gallery here, which includes over forty new photographs.
Read MoreFree Recorded Webinars for Nature Photographers from Nature Photo Guides
Over the last few months, I have recorded six free webinars for nature photographers in partnership with photography friends (David Kingham, Jennifer Renwick, John Barlcay, Cole Thompson, Alister Benn, Alex Noriega, and TJ Thorne). This post collects all of these recordings in a single place for easy access and viewing. You can access the recordings through the links to our YouTube channel or find the embedded videos below.
Offering these webinars has been a highlight during a difficult time and it was so nice to connect with photographers across the globe through these sessions. After taking a break from offering webinars to finish my 11 Composition Lessons ebook, I will be starting these sessions up again soon in some to-be-determined format. If you have a topic in mind that you would like to see covered in a future webinar, please let me know.
Read MoreManaging Expectations and Bringing an Open Mind
TINY ISLAND: A tiny island sits off the Vancouver Island coast, seen here under a very soft sunset.
When I talk about my photography, I often try to emphasize the importance of minimizing expectations and being open to what the landscape has to offer during your visit - be present for the opportunities that exist, not the opportunities you wish existed. I emphasize this lesson both because I think it can be vitally important to creating expressive photographs but also because it is a lesson that I need to learn over and over again. Below, I share how this played out during a photography trip to Vancouver Island, British Columbia and some practical advice if you find yourself in a similar situation.
Before I took up photography, a 2007 article in Sunset Magazine about Port Hardy, one of the area’s northernmost towns, sparked my interest in visiting Vancouver Island. The photos that accompanied the essay were haunting – almost monochrome because such a thick fog enveloped the massive monolithic seastacks, leaving just a faint hint of the dense vegetation that characterizes this landscape visible. I had never seen such a landscape in person and almost couldn’t believe it exists.
Read MoreRon's Recent Work from Death Valley
Sarah and I spent most of February in Death Valley in our Airstream until eventually the busy weekend crowds drove us away. Despite Death Valley’s increasing popularity it is still possible to avoid the crowds if you explore lesser known areas of the park, including the numerous canyons which have been the focus of our last few trips to Death Valley, and feature prominently in this collection.
This is only a small selection of my photos from our last trip, please see my recent work Death Valley gallery for the complete fifty photograph collection.
“Curves” - Shadow and light and blowing sand mingle.
“Proud Pygmy” - A Pygmy Cedar against a glowing canyon wall.
“Sand Waves” - Sand patterns that are revealed for a few moments when the sun is low in the horizon.
“Spray Paint” - Natural graffiti adorns this rock in the Panamint Mountains.
“Ghosts” - Drifts of sand blowing in the howling wind
“Beamed” - A sunbeam briefly lights up an alluvial fan.
“Winding Canyon” - Reflected light in a remote canyon.
“Sand Storm” - Dust and sand from high winds revealed this layers of the Panamint Mountains.
“Tortured” - A gnarled and twisted remote canyon wall more resembling driftwood than rock.
“Rock Candy” - A potpourri of colors and shapes
Sarah's Favorite Color Photos of 2019
At Last - After countless trips out to this spot, the patterns and light finally came together.
Last week, I shared a longer year in review and a selection of my favorite black and white photos from 2019. Below, you will find some of my favorite color photos - a collection that covers a diverse range of landscapes and subjects. Thank you for your ongoing interest in and support of our photographic endeavors. I wish you all a healthy, happy 2020 - hopefully with some time spent outside enjoying wild places. We will be back soon with some new educational posts and new photographs for 2020.
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