Seaside Wandering: Photos from the California Coast

May 9, 2025 Sarah Marino

Seaside Wandering: With a long exposure, strong winter waves soften around coastal rocks along the central California coast.

Note: This is the introductory essay for my portfolio of photos from a recent trip to the central California coast. You can view the full portfolio as a free PDF ebook or as a web gallery.

Right after the holidays, we planned to head to our favorite winter place, Death Valley National Park. As our departure date neared, I started feeling increasingly hesitant about this plan. As I mentioned in our Two Perspectives: Zion National Park ebook, I badly sprained my ankle during that trip, in early November. While my ankle felt a little better with each passing week, it still hurt after doing easy things like chair yoga videos on YouTube and a little unsteady while gently walking around the neighborhood.

One of the very best things about Death Valley is the ability to explore by parking on the side of the road and heading out into the desert. With only a few maintained trails in the park, almost all of this exploring happens by walking cross-country over rocky, uneven terrain—exactly the wrong place for a wobbly ankle. As we discussed last-minute alternatives, heading to the central California coast and maybe dipping into Yosemite National Park for a few days, seemed like the best option. The weather would be fairly mild, the drive would be long but easy, and both spots would feel fresh since we hadn’t visited either place for years.

Monochromatic Wasteland: Ron's Photos from Death Valley

April 25, 2025 Ron Coscorrosa

A 2005 New York Times article, “Unusual Bounty in Death Valley,” described Death Valley National Park as a “monochromatic wasteland,” notable only for that year’s superbloom. The vision of a sea of wildflowers contrasting with a barren wasteland is a compelling image. It’s also deeply wrong.

Constraints and Connections in White Sands National Park

September 19, 2024 Sarah Marino

When practicing nature photography in a new place, making a connection with the landscape sometimes feels effortless and instantaneous. With my first footsteps in such a place, many composition ideas spring to mind and a range of subjects are immediately compelling. Other places require more work, more time, better timing, a different mindset—and sometimes all of the above.

It’ll Be Prettier Soon: Eclipse Trip Recap and Photos

May 16, 2024 Sarah Marino

Soft mist rises below a row of spring trees at Virgil Point Campground on the morning of the 2024 total eclipse.

In 2017, photo friends invited us to camp with them in Wyoming to view that year’s total solar eclipse. We accepted the invitation, mostly expecting some fun social time and an interesting life experience. By the time the eclipse ended, Ron and I both felt like it was a truly transcendent moment—one of the most special occurrences a person can experience in nature—and we decided we would put extra effort into seeing eclipses in the future.

As nature photographers, we contemplate the light that comes from the sun more than most humans. Sunlight interacting with the landscape throughout the day creates our photographic opportunities yet the sun itself is rarely included in our compositions and most often feels like a distant abstraction. During a total solar eclipse, the moon slides in front of the sun and the two come into perfect alignment for a few short minutes. As the moon blocks out much of the sun’s light, we can observe some of the sun’s qualities in a way that is not typically possible, and as a result, experience a much deeper sense of understanding, connection, and appreciation.

(Photographic) Happiness = Reality - Expectations: February + March 2024 Monthly Review

April 2, 2024 Sarah Marino

Ripples form after a flash flood, with the milky flood water filling the depressions. Death Valley National Park.

Well, I missed my monthly update for February and lost all momentum with my weekly blog posts. The reasons: ephemeral conditions in Death Valley, finishing the second edition of our significantly expanded and fully revised Beyond the Grand Landscape ebook, getting a nasty cold, and saying yes to social time in the desert whenever an invitation popped up.

Entering a Photo Competition? Consider This Advice

January 7, 2024 Sarah Marino

A lovely spiral aloe, referenced in the text below.

I have recently served as a judge for a few different photo club competitions (in addition to being a judge for five award seasons with international photo competitions) and continue to see the same issues pop up. Some of the issues are really basic, like dust spots and tilted horizons, while others are far more subjective. With these experiences in mind, I share some advice to consider when you prepare your next competition entry (or magazine submission, gallery show entry, portfolio, or even your next social media post). This article represents the perspective of exactly one judge—me—so don’t consider it a checklist but instead a single point of view on a complex topic.

Integrating Gratitude Practices Into Nature Photography

November 26, 2023 Sarah Marino

Thanksgiving is my favorite holiday, partially because it involves cooking a large, complicated meal and I always enjoy cooking—and sharing—large, complicated meals. My holiday meal this year was complicated because I did all of the cooking myself, not because I selected any fancy recipes. After integrating more modern dishes over the last few years, the traditional sides—sweet potato casserole, mashed potatoes, green bean casserole, biscuits, corn, and stuffing—seemed most appealing as I prepared my grocery list so those are the dishes that ended up on my table (in addition to a less traditional apple cake for dessert).

Another thing I appreciate about Thanksgiving is seeing other people share their gratitude. Amidst so much constantly heavy, negative news, it is lovely to enjoy a day of reading posts that focus on positive things. After seeing these many posts plus some news stories about the mental health benefits of expressing gratitude, I went down a rabbit hole of reading to learn more. This short article from Arthur Brooks at The Atlantic (gift link with no paywall) is a nice summary of the research, historical underpinnings, and practical advice about “Four Ways to Be Grateful—And Happier.” The reason I appreciated this article in particular is how Brooks likens gratefulness to exercise: to the reap the benefits, you have to practice.

Q and A: Naturalist Apps, Connecting with a Landscape, and Photographic Celibacy

November 10, 2023 Sarah Marino

Using the iNaturalist app plus field guides helped me identify some locations where this plant might grow within Death Valley National Park. iNaturalist’s companion app, Seek, is one of my favorite apps for the reasons I explain below.

In August, a publication invited me to participate in an extended interview and then repeatedly delayed publishing it. Instead of hoping the interview might eventually run someday, I decided to withdraw it and publish it in two parts on my website instead. You will find part one below.

Look For Beauty All Around You: A Lesson from Female Birds and Arctic Ground Squirrels

October 19, 2023 Sarah Marino

In many ways, our modern society conditions us to find excitement and joy only at the pinnacle of experience. With nature photography, this looks like the epic sunset, the perfect swath of autumn color, or being in the presence of especially dramatic scenery. While I still seek out such experiences, I try to balance them with finding equal satisfaction and happiness with more common everyday experiences out in nature. A recent example: feeling full of joy and excitement when I saw a thriving four o-clock wildflower and its glowing magenta petals, with white-lined sphinx moths actively feeding on its nectar, in late October while on a casual evening walk in the Utah desert.

A few days ago, upon the recommendation of fellow photographer Dario Perizzolo, I listened to an episode of the Hidden Brain podcast, “How Your Beliefs Shape Your Reality.” Near the end, the psychologist being interviewed, Jer Clifton, suggested a simple mental exercise to help cultivate curiosity and promote this kind of connection with the natural world. Pick up a leaf from a tree and contemplate its beauty: the shape, the colors, the intricacy of the veins. If this leaf was rare, it would be considered a work of art but because it is so commonplace, it doesn’t command any special attention—or any attention at all.

Notes From an Over-Photographed Landscape

September 22, 2022 Sarah Marino

Afternoon shadows fall across the Grapevine Mountains in Death Valley National Park.

PREFACE: This is the introductory essay for ebook portfolios covering my extended 2021-22 trip to Death Valley National Park. You can download these ebooks, for free, here to see the full collection of photographs.

With our Airstream RV trailer, we are able to work remotely for long stretches, so we packed up for the desert and arrived in Death Valley National Park right before Christmas, 2021. We stayed through late February, 2022, giving us about eight weeks in the park. Aside from two weeks of formal work (teaching workshops), I photographed, hiked, or both almost every day. This portfolio is the result of those efforts.

By the time we left to return home, the list of Death Valley canyons I have visited had many new entries, for a total of fifty-four. I can now say I have backpacked across Death Valley’s floor, an experience that makes the incredible vastness of the park feel much more profound than contemplating those same distances from the roadside. The scenery, as always, was endlessly enchanting. Solitude was easy to find. With photography friends coming and going, the trip felt a little like summer camp. As with every trip to this park, the list of new things I want to see is much longer than the list I had when I arrived. With the weather getting increasingly warm in late February, I knew it was time to head home but still tried to convince Ron that we should stay for just one more week. Just one more.

New Ebook - Lessons from the Landscape: Yellowstone National Park

September 13, 2021 Sarah Marino

I am happy to announce my newest ebook, Lessons from the Landscape: Yellowstone National Park, which includes an almost entirely new portfolio of photographs, eleven personal essays, and six practical case studies. This is my most personal project yet, and I am excited to share it with you.

You can get the ebook for the discounted price of $19.95 through Tuesday, September 14. See below for more details.

Badlands from Above: New Photos and Thoughts on Drone Photography

April 27, 2021 Sarah Marino

A few years ago, we added a drone (a DJI Mavic Pro 2) to our photography kit and I have come to have a love/hate relationship with it. To begin with the love, it is an incredible piece of technology - a flying camera that can take sharp photos with exposure times of more than a second in calm conditions. This is worth saying again so we can spend a few seconds marveling together: a flying camera that is affordable enough to add to a nature photography kit! Wow! And it is about the size of a Nalgene water bottle when folded up. Wow again!

One of the things I enjoy most about aerial photography with a drone is how the resulting photos tell a totally different story than the one you experience when walking across the same landscape (if you can, in fact, walk across it). For example, in the photos below, you will see many tiny channels. These channels feel individually consequential when you walk up one of them but then become an extensive sea of branching watercourses when seen from the air. One individual channel becomes only a tiny part of a massive network from this alternative perspective. Every time we use a drone for aerial photography in addition to our typical land-based photography, I walk away with a much greater appreciation for the area and have more context for how different parts of a landscape fit and flow together.

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