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This is the third in a series of three posts featuring my photographs from Death Valley National Park taken over the 2023-2024 winter season (first part here, second part here).
Death Valley is known for many things: the salt flats and polygons at Badwater Basin, the various sand dunes scattered across the park, and the impressive and colorful badlands. Perhaps less appreciated are the mountains, alluvial fans, and canyons spread across the park—and the rocks that comprise them.
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This is the second in a three part series of photos from Death Valley taken this winter (see first post here). This post is about Lake Manly.
Lake Manly was a permanent feature in Death Valley until it evaporated about 10,000 years ago and now only forms during periods of heavy rainfall. During Hurricane Hilary in August 2023, heavy rains repopulated the ephemeral lake, and atmospheric river events in January actually raised the water level. During a few wind events in late February, the lake blew to the north before resettling back south and finally fully evaporating by May 2024. Watching the lake move was a surreal experience. Photographer Jerry Dodrill shared a video of the lake actually moving on his Instagram page and you can view it here.
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Sarah and I spent almost ten weeks in and around Death Valley this winter in our trailer. Our first trip was a quick (for us) week-long visit in December to see the ephemeral Lake Manly before it evaporated. We followed that up with a longer eight-week trip starting in late January, during which our “ephemeral” lake refilled with several atmospheric river events in California. The winter weather was wet, providing many opportunities (lakes, wildflowers, and even fog), but it also closed the roads to many of the park’s further reaches.
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Soft mist rises below a row of spring trees at Virgil Point Campground on the morning of the 2024 total eclipse.
In 2017, photo friends invited us to camp with them in Wyoming to view that year’s total solar eclipse. We accepted the invitation, mostly expecting some fun social time and an interesting life experience. By the time the eclipse ended, Ron and I both felt like it was a truly transcendent moment—one of the most special occurrences a person can experience in nature—and we decided we would put extra effort into seeing eclipses in the future.
As nature photographers, we contemplate the light that comes from the sun more than most humans. Sunlight interacting with the landscape throughout the day creates our photographic opportunities yet the sun itself is rarely included in our compositions and most often feels like a distant abstraction. During a total solar eclipse, the moon slides in front of the sun and the two come into perfect alignment for a few short minutes. As the moon blocks out much of the sun’s light, we can observe some of the sun’s qualities in a way that is not typically possible, and as a result, experience a much deeper sense of understanding, connection, and appreciation.
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Ripples form after a flash flood, with the milky flood water filling the depressions. Death Valley National Park.
Well, I missed my monthly update for February and lost all momentum with my weekly blog posts. The reasons: ephemeral conditions in Death Valley, finishing the second edition of our significantly expanded and fully revised Beyond the Grand Landscape ebook, getting a nasty cold, and saying yes to social time in the desert whenever an invitation popped up.
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Light beams shine through heavy storm clouds, illuminating the Panamint Mountains. Death Valley National Park.
I’m sharing a wrap-up like this at the end of each month to help with accountability and discipline. The basic format: an inventory of how I spent the last month with regard to nature photography and our photo business, a casual discussion about the things that are on my mind, and a few non-photography recommendations at the end.
This could be a very short update since I focused on two things over the last month: 1) working on the fully revised and significantly expanded second edition of our Beyond the Grand Landscape ebook and 2) photographing, a lot.
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Over the last few years, we have occasionally put a tub of water in our backyard during colder weather to see if it might create some opportunities for photographing ice patterns. We never put much effort into this approach to photography because it seemed like we could usually find something more interesting in a natural setting. Enter Adam Gibbs and the preview pages for his new book, Land & Light. In one of the sample spreads, Adam shares a beautiful photo of frost patterns and describes the “ice farming” operation behind its creation.
This story made me decide to put a bit more effort into our own ice farming operation, especially since we were in the middle of a stretch of very cold weather. As I started experimenting with some new ideas, I hoped we might be able to create the conditions for frilly frost to form, like Adam showed in the photo in his book preview. Likely because of the humidity differences between damp Vancouver Island and dry southwestern Colorado, that frost never materialized as I had envisioned. With more experimentation, I eventually found an approach that created some tiny wild patterns.
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A lovely spiral aloe, referenced in the text below.
I have recently served as a judge for a few different photo club competitions (in addition to being a judge for five award seasons with international photo competitions) and continue to see the same issues pop up. Some of the issues are really basic, like dust spots and tilted horizons, while others are far more subjective. With these experiences in mind, I share some advice to consider when you prepare your next competition entry (or magazine submission, gallery show entry, portfolio, or even your next social media post). This article represents the perspective of exactly one judge—me—so don’t consider it a checklist but instead a single point of view on a complex topic.
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In this post, I share some highlights from 2023 along with some reflections on my current creative practices, thoughts about the direction of our photo business, some loose goals for 2024, and a short rumination about AI’s potential impact on my chosen career. If you are mostly here for the photos, you can skip ahead to the middle of the post. Before jumping into the text, I would like to thank you for being part of my photo community. I appreciate each of you and wish you the best for 2024!
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While I am sometimes successful in avoiding cliches in my photographs, I am less successful in avoiding cliches for my blog posts. So here is my version of the yearly recap post!
The beginning of the year is a good time to reflect and ruminate on the past year, but since this is the end of the year, I’m going to skip all that and just share some photographs. These are not necessarily my favorite twenty photographs of the year but they are a diverse selection of the places we photographed and visited in 2023, arranged chronologically.
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Ron is sharing a new portfolio of his autumn photography from Colorado and Zion National Park today. Like most of our recent work, he is sharing the photos in a PDF portfolio ebook (you can download it here, no email address or sign-up required). Each time we share one of these new ebooks, we receive a lot of questions that fall into two categories: why do you share your work this way and how can I create a similar PDF for my own work? We will answer both of these questions in this article.
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The Mesquite Flat Sand Dunes in the late afternoon on a clear day.
To the uninitiated, it can seem strange to have a photographic obsession with a place called Death Valley National Park. Yet, after visiting for first time, most nature and landscape photographers quickly come to understand the appeal. The scenery is diverse, vast, surreal, and dynamic, all of which are qualities that make this landscape exciting for nature photography. For us, Death Valley holds the only permanent spot among our favorite places, with the other spots rotating based on recent trips we have enjoyed. It fully deserves this honor!
While visiting remote parts of the park is exciting, the more easily accessible landscape photography locations, like Badwater Basin, the Mesquite Flat Sand Dunes, and Zabriskie Point, are all equally incredible. This makes the park a great option for both short trips and extended explorations. Another benefit: when it is cold and snowy elsewhere, the weather in Death Valley is generally mild, at least at the lower elevations. With Las Vegas only a few hours away, this park is also easy to get to for anyone in North America.
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