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Instead of sharing my favorite photographs of 2024 (side note: I have no idea what those are and never will!) I decided to change up the formula and just share photos from this year that haven’t been shared anywhere else yet.
Earlier this year I had three blog posts on Death Valley (Part I, Part II, Part III), and released portfolio ebooks of Iceland and Zion. The following photographs made no apperanace anywhere (most are from Death Valley and our fall trip to the Upper Midwest).
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Note: This is the introductory essay to our newest free PDF ebook portfolio (one click download, no sign-up required). If you prefer, you can also see Sarah’s photos from the ebook in this online gallery.
Ron and I have created many collaborative photography projects in the past and we have carefully curated each one to avoid duplication. This ebook portfolio is different. In the pages that follow, you will see two portfolios of photographs, one from me and one from Ron, that we each created during our recent trip to Zion National Park in Utah. We separately edited, processed, and sequenced our individual collections without consulting one another, and are presenting them here as two distinct bodies of work that represent our individual connections with the landscape.
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When practicing nature photography in a new place, making a connection with the landscape sometimes feels effortless and instantaneous. With my first footsteps in such a place, many composition ideas spring to mind and a range of subjects are immediately compelling. Other places require more work, more time, better timing, a different mindset—and sometimes all of the above.
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A wildflower garden full of lupine, buckwheat, sage, and snowberry. Crested Butte, Colorado.
Earlier this week, I saw a post on a nature photography forum about how a forum member had just returned from a trip and as part of his culling process was deleting everything he didn’t immediately like. My reaction was NOOOOOOOOO! DO NOT DELETE!
Unless a file has a clear technical issue (extreme under exposure or is out of focus in a bad way) or was a clear mistake (tripping the shutter while carrying my camera around and creating a series of blurry photos of my feet), I have learned to save nearly all of my photography files for future me. Below, I’ll share four examples of why I am glad to have gotten into this habit in my early days as a photographer.
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In early June, we headed to Iceland for an 18-day photo trip. If you have visited Iceland yourself, you will not be surprised to hear that the weather was quite challenging and we had to completely change our plans in response. While we hoped to take our rental 4x4 campervan into the interior highlands, we ended up mostly sticking to the Ring Road because of rain, relentless wind, and quite a bit of late-season snow. Despite these challenges, we still had a lot of fun experiences, including visiting a puffin colony in the snow, photographing Iceland's incredible river deltas, and seeing a perfectly peak lupine bloom across the southern portion of the country (this non-native lupine is invasive but still quite beautiful to see).
I have collected my photos from the trip into a 129-page PDF ebook portfolio, which you can download for free without any sign-up or checkout required. Below is the brief essay I include at the beginning of the ebook, along with a handful of the 100+ photos from the book.
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This is the third in a series of three posts featuring my photographs from Death Valley National Park taken over the 2023-2024 winter season (first part here, second part here).
Death Valley is known for many things: the salt flats and polygons at Badwater Basin, the various sand dunes scattered across the park, and the impressive and colorful badlands. Perhaps less appreciated are the mountains, alluvial fans, and canyons spread across the park—and the rocks that comprise them.
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This is the second in a three part series of photos from Death Valley taken this winter (see first post here). This post is about Lake Manly.
Lake Manly was a permanent feature in Death Valley until it evaporated about 10,000 years ago and now only forms during periods of heavy rainfall. During Hurricane Hilary in August 2023, heavy rains repopulated the ephemeral lake, and atmospheric river events in January actually raised the water level. During a few wind events in late February, the lake blew to the north before resettling back south and finally fully evaporating by May 2024. Watching the lake move was a surreal experience. Photographer Jerry Dodrill shared a video of the lake actually moving on his Instagram page and you can view it here.
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Sarah and I spent almost ten weeks in and around Death Valley this winter in our trailer. Our first trip was a quick (for us) week-long visit in December to see the ephemeral Lake Manly before it evaporated. We followed that up with a longer eight-week trip starting in late January, during which our “ephemeral” lake refilled with several atmospheric river events in California. The winter weather was wet, providing many opportunities (lakes, wildflowers, and even fog), but it also closed the roads to many of the park’s further reaches.
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Soft mist rises below a row of spring trees at Virgil Point Campground on the morning of the 2024 total eclipse.
In 2017, photo friends invited us to camp with them in Wyoming to view that year’s total solar eclipse. We accepted the invitation, mostly expecting some fun social time and an interesting life experience. By the time the eclipse ended, Ron and I both felt like it was a truly transcendent moment—one of the most special occurrences a person can experience in nature—and we decided we would put extra effort into seeing eclipses in the future.
As nature photographers, we contemplate the light that comes from the sun more than most humans. Sunlight interacting with the landscape throughout the day creates our photographic opportunities yet the sun itself is rarely included in our compositions and most often feels like a distant abstraction. During a total solar eclipse, the moon slides in front of the sun and the two come into perfect alignment for a few short minutes. As the moon blocks out much of the sun’s light, we can observe some of the sun’s qualities in a way that is not typically possible, and as a result, experience a much deeper sense of understanding, connection, and appreciation.
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Ripples form after a flash flood, with the milky flood water filling the depressions. Death Valley National Park.
Well, I missed my monthly update for February and lost all momentum with my weekly blog posts. The reasons: ephemeral conditions in Death Valley, finishing the second edition of our significantly expanded and fully revised Beyond the Grand Landscape ebook, getting a nasty cold, and saying yes to social time in the desert whenever an invitation popped up.
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Light beams shine through heavy storm clouds, illuminating the Panamint Mountains. Death Valley National Park.
I’m sharing a wrap-up like this at the end of each month to help with accountability and discipline. The basic format: an inventory of how I spent the last month with regard to nature photography and our photo business, a casual discussion about the things that are on my mind, and a few non-photography recommendations at the end.
This could be a very short update since I focused on two things over the last month: 1) working on the fully revised and significantly expanded second edition of our Beyond the Grand Landscape ebook and 2) photographing, a lot.
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Over the last few years, we have occasionally put a tub of water in our backyard during colder weather to see if it might create some opportunities for photographing ice patterns. We never put much effort into this approach to photography because it seemed like we could usually find something more interesting in a natural setting. Enter Adam Gibbs and the preview pages for his new book, Land & Light. In one of the sample spreads, Adam shares a beautiful photo of frost patterns and describes the “ice farming” operation behind its creation.
This story made me decide to put a bit more effort into our own ice farming operation, especially since we were in the middle of a stretch of very cold weather. As I started experimenting with some new ideas, I hoped we might be able to create the conditions for frilly frost to form, like Adam showed in the photo in his book preview. Likely because of the humidity differences between damp Vancouver Island and dry southwestern Colorado, that frost never materialized as I had envisioned. With more experimentation, I eventually found an approach that created some tiny wild patterns.
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