Winter in southwestern Colorado has been quite cold this year—much colder compared to recent years. One benefit of all this cold weather is the chance to look for naturally occurring ice formations, or to try creating my own in our yard. While I generally consider myself to be a responsive photographer in which I exclusively react to the existing natural world around me, I occasionally like to experiment with photographing under slightly more controlled situations. With these ice experimentations, I consider my approach to be a partnership with nature in which I control some of the variables and then natural processes fill in the blanks.
Read MoreZion National Park: Two Perspectives (Ebook Portfolio)
Note: This is the introductory essay to our newest free PDF ebook portfolio (one click download, no sign-up required). If you prefer, you can also see Sarah’s photos from the ebook in this online gallery.
Ron and I have created many collaborative photography projects in the past and we have carefully curated each one to avoid duplication. This ebook portfolio is different. In the pages that follow, you will see two portfolios of photographs, one from me and one from Ron, that we each created during our recent trip to Zion National Park in Utah. We separately edited, processed, and sequenced our individual collections without consulting one another, and are presenting them here as two distinct bodies of work that represent our individual connections with the landscape.
Read MoreDo Not Delete: 4 Reasons to Keep Nearly All of Your Photo Files
A wildflower garden full of lupine, buckwheat, sage, and snowberry. Crested Butte, Colorado.
Earlier this week, I saw a post on a nature photography forum about how a forum member had just returned from a trip and as part of his culling process was deleting everything he didn’t immediately like. My reaction was NOOOOOOOOO! DO NOT DELETE!
Unless a file has a clear technical issue (extreme under exposure or is out of focus in a bad way) or was a clear mistake (tripping the shutter while carrying my camera around and creating a series of blurry photos of my feet), I have learned to save nearly all of my photography files for future me. Below, I’ll share four examples of why I am glad to have gotten into this habit in my early days as a photographer.
Read MoreRon: Death Valley Winter - Just Rocks (3 of 3)
This is the third in a series of three posts featuring my photographs from Death Valley National Park taken over the 2023-2024 winter season (first part here, second part here).
Death Valley is known for many things: the salt flats and polygons at Badwater Basin, the various sand dunes scattered across the park, and the impressive and colorful badlands. Perhaps less appreciated are the mountains, alluvial fans, and canyons spread across the park—and the rocks that comprise them.
Read MoreBackyard Abstracts: Photos From My Ice Farming Operation
Over the last few years, we have occasionally put a tub of water in our backyard during colder weather to see if it might create some opportunities for photographing ice patterns. We never put much effort into this approach to photography because it seemed like we could usually find something more interesting in a natural setting. Enter Adam Gibbs and the preview pages for his new book, Land & Light. In one of the sample spreads, Adam shares a beautiful photo of frost patterns and describes the “ice farming” operation behind its creation.
This story made me decide to put a bit more effort into our own ice farming operation, especially since we were in the middle of a stretch of very cold weather. As I started experimenting with some new ideas, I hoped we might be able to create the conditions for frilly frost to form, like Adam showed in the photo in his book preview. Likely because of the humidity differences between damp Vancouver Island and dry southwestern Colorado, that frost never materialized as I had envisioned. With more experimentation, I eventually found an approach that created some tiny wild patterns.
Read MoreLook For Beauty All Around You: A Lesson from Female Birds and Arctic Ground Squirrels
In many ways, our modern society conditions us to find excitement and joy only at the pinnacle of experience. With nature photography, this looks like the epic sunset, the perfect swath of autumn color, or being in the presence of especially dramatic scenery. While I still seek out such experiences, I try to balance them with finding equal satisfaction and happiness with more common everyday experiences out in nature. A recent example: feeling full of joy and excitement when I saw a thriving four o-clock wildflower and its glowing magenta petals, with white-lined sphinx moths actively feeding on its nectar, in late October while on a casual evening walk in the Utah desert.
A few days ago, upon the recommendation of fellow photographer Dario Perizzolo, I listened to an episode of the Hidden Brain podcast, “How Your Beliefs Shape Your Reality.” Near the end, the psychologist being interviewed, Jer Clifton, suggested a simple mental exercise to help cultivate curiosity and promote this kind of connection with the natural world. Pick up a leaf from a tree and contemplate its beauty: the shape, the colors, the intricacy of the veins. If this leaf was rare, it would be considered a work of art but because it is so commonplace, it doesn’t command any special attention—or any attention at all.
Read MoreNew Ebook - Lessons from the Landscape: Yellowstone National Park
I am happy to announce my newest ebook, Lessons from the Landscape: Yellowstone National Park, which includes an almost entirely new portfolio of photographs, eleven personal essays, and six practical case studies. This is my most personal project yet, and I am excited to share it with you.
You can get the ebook for the discounted price of $19.95 through Tuesday, September 14. See below for more details.
Free Recorded Webinars for Nature Photographers from Nature Photo Guides
Over the last few months, I have recorded six free webinars for nature photographers in partnership with photography friends (David Kingham, Jennifer Renwick, John Barlcay, Cole Thompson, Alister Benn, Alex Noriega, and TJ Thorne). This post collects all of these recordings in a single place for easy access and viewing. You can access the recordings through the links to our YouTube channel or find the embedded videos below.
Offering these webinars has been a highlight during a difficult time and it was so nice to connect with photographers across the globe through these sessions. After taking a break from offering webinars to finish my 11 Composition Lessons ebook, I will be starting these sessions up again soon in some to-be-determined format. If you have a topic in mind that you would like to see covered in a future webinar, please let me know.
Read MoreComposition & Photographing Nature’s Small Scenes: 5 Essential Ideas
With composition, we are able to take the elements of nature that we connect with the most and arrange them in a manner that communicates our visual preferences and the stories we want to tell about our subjects. In this way, composition serves as an intensely personal window into how we see the natural world and choose to present it through our photography. In writing my most recent ebook, 11 Composition Lessons for Photographing Nature’s Small Scenes, I spent a lot of time thinking about the themes in my composition habits and find that these five ideas are most essential:
#1: Abstraction: See Beyond the Literal Qualities of Your Subject
#2: Simplification: Compose Around a Core Concept
#3: Exclusion: Elevate Your Subject by Eliminating Context
#4: Structure: Seek Out Scaffolding for Your Composition
#5: Details: Pay Attention to the Small Stuff
These ideas are the versatile, practical composition concepts that I return to again and again. Instead of relying on rigid rules (like the rule of thirds) that do not necessarily align with every photographer’s goals for personal expression or every scene we will come across, these ideas are instead tools for the toolbox that we can apply in a wide variety of scenarios to a broad range of subjects.
Read MoreRon's Recent Work From Spring in Colorado
Like many of you, Sarah and I have spent the last few months at home, keeping to ourselves and limiting our human interactions to the virtual kind. A few months ago - before COVID-19 asserted itself - I deleted my Facebook and Instagram accounts, and have recently deleted my Twitter account as well. I may detail the reasons why in a future post but I don’t think they will be surprising. If you want to contact me email is the best method.
Recently as local travel restrictions lifted, we were able to spend a few mornings and afternoons exploring the forests nearby our home in southwest Colorado. We caught them just as they were coming out of their winter slumber and putting on the fresh green coat of spring. We are extremely fortunate to live so close to so many beautiful areas that are just a short drive from our home.
Read MoreManaging Expectations and Bringing an Open Mind
TINY ISLAND: A tiny island sits off the Vancouver Island coast, seen here under a very soft sunset.
When I talk about my photography, I often try to emphasize the importance of minimizing expectations and being open to what the landscape has to offer during your visit - be present for the opportunities that exist, not the opportunities you wish existed. I emphasize this lesson both because I think it can be vitally important to creating expressive photographs but also because it is a lesson that I need to learn over and over again. Below, I share how this played out during a photography trip to Vancouver Island, British Columbia and some practical advice if you find yourself in a similar situation.
Before I took up photography, a 2007 article in Sunset Magazine about Port Hardy, one of the area’s northernmost towns, sparked my interest in visiting Vancouver Island. The photos that accompanied the essay were haunting – almost monochrome because such a thick fog enveloped the massive monolithic seastacks, leaving just a faint hint of the dense vegetation that characterizes this landscape visible. I had never seen such a landscape in person and almost couldn’t believe it exists.
Read MoreSarah's Favorite Color Photos of 2019
At Last - After countless trips out to this spot, the patterns and light finally came together.
Last week, I shared a longer year in review and a selection of my favorite black and white photos from 2019. Below, you will find some of my favorite color photos - a collection that covers a diverse range of landscapes and subjects. Thank you for your ongoing interest in and support of our photographic endeavors. I wish you all a healthy, happy 2020 - hopefully with some time spent outside enjoying wild places. We will be back soon with some new educational posts and new photographs for 2020.
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