Ron's Recent Work from Yellowstone

Sarah and I recently returned from Yellowstone National Park, our first extended photography trip since the pandemic began earlier this year. Apparently the rest of the United States also felt it was a good time to visit the park, but despite the crowds (which we could escape easily by getting up earlier or hiking on less popular trails) we had a great time. We were treated to a variety of conditions including an early season snowfall, foggy chilly mornings, and the onset of fall colors. It felt great to be outside photographing again.

Here is a selection of my photos from the trip, you may wish to see the complete gallery which includes over fifty new photographs.

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Free Recorded Webinars for Nature Photographers from Nature Photo Guides

Over the last few months, I have recorded six free webinars for nature photographers in partnership with photography friends (David Kingham, Jennifer Renwick, John Barlcay, Cole Thompson, Alister Benn, Alex Noriega, and TJ Thorne). This post collects all of these recordings in a single place for easy access and viewing. You can access the recordings through the links to our YouTube channel or find the embedded videos below.

Offering these webinars has been a highlight during a difficult time and it was so nice to connect with photographers across the globe through these sessions. After taking a break from offering webinars to finish my 11 Composition Lessons ebook, I will be starting these sessions up again soon in some to-be-determined format. If you have a topic in mind that you would like to see covered in a future webinar, please let me know.

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Ron's Recent Work From Spring in Colorado

Like many of you, Sarah and I have spent the last few months at home, keeping to ourselves and limiting our human interactions to the virtual kind. A few months ago - before COVID-19 asserted itself - I deleted my Facebook and Instagram accounts, and have recently deleted my Twitter account as well. I may detail the reasons why in a future post but I don’t think they will be surprising. If you want to contact me email is the best method.

Recently as local travel restrictions lifted, we were able to spend a few mornings and afternoons exploring the forests nearby our home in southwest Colorado. We caught them just as they were coming out of their winter slumber and putting on the fresh green coat of spring. We are extremely fortunate to live so close to so many beautiful areas that are just a short drive from our home.

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Ron's Recent Work from Death Valley

Sarah and I spent most of February in Death Valley in our Airstream until eventually the busy weekend crowds drove us away. Despite Death Valley’s increasing popularity it is still possible to avoid the crowds if you explore lesser known areas of the park, including the numerous canyons which have been the focus of our last few trips to Death Valley, and feature prominently in this collection.

This is only a small selection of my photos from our last trip, please see my recent work Death Valley gallery for the complete fifty photograph collection.

“Curves” - Shadow and light and blowing sand mingle.

“Curves” - Shadow and light and blowing sand mingle.

“Proud Pygmy” - A Pygmy Cedar against a glowing canyon wall.

“Proud Pygmy” - A Pygmy Cedar against a glowing canyon wall.

“Sand Waves” - Sand patterns that are revealed for a few moments when the sun is low in the horizon.

“Sand Waves” - Sand patterns that are revealed for a few moments when the sun is low in the horizon.

“Spray Paint” - Natural graffiti adorns this rock in the Panamint Mountains.

“Spray Paint” - Natural graffiti adorns this rock in the Panamint Mountains.

“Ghosts” - Drifts of sand blowing in the howling wind

“Ghosts” - Drifts of sand blowing in the howling wind

“Beamed” - A sunbeam briefly lights up an alluvial fan.

“Beamed” - A sunbeam briefly lights up an alluvial fan.

“Winding Canyon” - Reflected light in a remote canyon.

“Winding Canyon” - Reflected light in a remote canyon.

“Sand Storm” - Dust and sand from high winds revealed this layers of the Panamint Mountains.

“Sand Storm” - Dust and sand from high winds revealed this layers of the Panamint Mountains.

“Tortured” - A gnarled and twisted remote canyon wall more resembling driftwood than rock.

“Tortured” - A gnarled and twisted remote canyon wall more resembling driftwood than rock.

“Rock Candy” - A potpourri of colors and shapes

“Rock Candy” - A potpourri of colors and shapes

Mirrorless Camera Technology and Expanding Opportunities for Creative Expression

Canon just announced its newest mirrorless camera, the R5, causing the usual online buzz among photographers. One band of naysayers has me perplexed - nature photographers who use digital equipment but say things like “Never mirrorless!” in response to such announcements. Even though mirrorless cameras have been out for years and are used by many photographers, these negative attitudes persist. Given my own recent experience with a mirrorless camera, my response is “Why not mirrorless?” As I share below, some features specific to mirrorless cameras help remove barriers to creative expression and have enabled me to create photographs that I previously would have passed up due to technological limitations of my equipment.

I certainly do not think that the newest and best technology is necessary to create meaningful, inspiring, and technically sound photographs. And, for people with limited financial resources, spending money on experiences and time in the field is almost always going to be a better investment than buying a new camera. A camera is a tool and a skilled photographer will be able to create with a range of equipment. However, if new technology helps expand opportunities for creative expression, why not have an open mind?

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New Articles on Black & White Nature Photography, Including Before/After Examples

I recently shared a two-part article on creating bold black and white nature photos with Shuttermonkeys, a new photography education website created by Ian Plant and Zac Mills. You can find an excerpt and link to each part below, with the second article going through my processing steps for the two photos in this post (as a sample of what I cover in the articles, see the before and after GIFs at the end of this post).

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Creating Bold Black & White Photographs Part I: In the Field

One of my favorite things about black and white landscape photography is the ability to push the boundaries of reality in a way that can be difficult with color photography. From my perspective, color photography is most powerful when it is grounded in what the photographer actually saw and experienced when creating a photograph. Since viewers know that a black and white scene is by its very nature a departure from reality, the medium offers more latitude for interpreting a scene - a creative freedom that I find exhilarating. With black and white photography, the photographer can emphasize or aggressively introduce drama, boldness, and contrast while still achieving an aesthetically pleasing result – things that are much harder to do when working in color.

In this article, I share four lessons for creating bold and dramatic black and white landscape photographs, focusing on steps that you can take while working in the field. In the second part of this article (below), I will share my basic approach to processing black and white photos along with some lessons on how to emphasize boldness and drama in the digital darkroom. Click here to continue reading Part I >>

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Creating Bold Black & White Photographs Part II: Photo Processing

As I discussed in my first article in this series, Creating Bold Black and White Landscape Photographs, one of my favorite aspects of black and white photography is the opportunity to depart from reality, especially in terms of emphasizing boldness, drama, and contrast. For my digital black and white photography, photo processing plays a large role in realizing my vision for each scene. In this article, I will share my general approach to processing digital photos in black and white, go over my favorite processing tools, and share two start-to-finish examples.

While my color photography stays fairly close to the scene as I experienced it, the final result for my black and white photographs often represents a significant departure from the initial RAW file as you will see in the examples below. I do not intend for my black and white photos to be a representation of a reality that you might experience but instead want them to be a dramatic, bold interpretation of nature. Click here to continue reading Part II >>

Before and after examples featured in Part II:

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